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Cover Reveal!

*cue cover drum roll*

It is that time! Time for a final, full wrap-around cover reveal for the upcoming prequel novella IN SHADOWS WE FALL. The wonderful original art was done by the seriously talented John Anthony Di Giovanni, and the design and layout by the equally seriously talented Shawn King at STK-Kreations.

IN SHADOWS WE FALL takes place sixteen years before the beginning of The Vengeance Trilogy and follows the events that led to the original downfall of the last Otako ruler, Emperor Lan.

From the back description:

 

 

You will die. Your children will die. The empire will burn.

Empress Li is out of favour at court. Foreign-born and past her prime, she is to be set aside. But she won’t go quietly. With nothing left to lose, Li will do anything to stop Emperor Lan signing a secret alliance that could tear the empire apart. Yet when her life is threatened, old mistakes come back to haunt her and only a three-year-old boy can change the course of history.

With everything at stake, could an innocent child be the best assassin?

 

 

So without further ado… here is the cover of the upcoming novella IN SHADOWS WE FALL!

*fans self*

I cannot describe how exciting it is to be getting this book out. I hope you all love the cover as much as I do!

 

IN SHADOWS WE FALL, available for general release on the 16th of November 2017, or RIGHT NOW! (like seriously right now) if you sign up to my quarterly newsletter below. Once confirmed, you’ll get an email with a link to download the ebook in whatever form you like to read.

Come for the book, stay for the newsletter! I mean it when I say quarterly, unless there is some EXTREMELY exciting news to share it will be no more than four emails a year (seriously, who has time for more? My job is writing books not emails!) Each email will contain updates and news as well as the occasional competition and piece of short fiction only for my subscribers.

Win!

On the table…

After this post, anyone who has been following me for awhile is going to think I’m all over the place. But bear with me…

The Blood of Whisperers is back on the table. Maybe… just maybe, I am looking for a traditional publisher.

I KNOW! I know what you’re thinking, the staunch self-publishing advocate is turning tail, so let me explain myself. My family and I have just moved to Canada. My husband is Canadian, so it’s not so way out there, but I have lived in Australia all my life. That being the case, let’s just say the move has been… a bit of a shock. We did it for numerous reasons, the only one that is any concern to this subject being that living in North America would be better for my career.

We arrived. I freaked out at the snow. We got over jet-lag… And then everything began to change. Suddenly our priorities were different, our plans flipped on their heads, and every decision we had already made needed to be reassessed.

I still believe in the strength of self-publishing. I believe that it is possible to create an amazing product that can rival anything produced by a traditional publisher as long as you never let go of your professionalism. And I believe in supporting self-published writers who are doing the right thing.

BUT…

Right now, at this moment, at this stage in my life, I cannot keep doing it. I haven’t got the funds or the drive for the business part of the job. I love the writing, love the social media and talking to fans and all that stuff, but I cannot find the energy in myself for the stress of the business when I make nothing out of it. So that is why, right now, I am putting The Blood of Whisperers back on the table. It’s up for grabs and today, I have queried my first agent ever.

*freaks out*

And so the next step in my journey begins…

 

 

Screw the Stigma – Part 2

Writing Motivation

 
Two weeks ago I came THIS close (yes, I’m holding my fingers VERY close together) THIS close, to submitting The Blood of Whisperers to a big US agent. I consider it to be the low point of my year. Lower than every gaff on social media that has made me cringe and vow to do better. Lower than the pain of crowdfunding. Lower than the day I screamed at my girls and threatened to throw their toys in the bin.

I started this journey at the beginning of 2013, making the final decision that I would publish my own books. Before then I was much like every other aspiring author, writing synopsisisisis (never could finish typing that word) and query letters and making lists of who to send work to and when. But the lack of control kept leading me back to considering the self-publisher route. I knew that as a traditional author I would have no say whatsoever over my cover, my blurb, my title, and would be expected to fix and change anything inside the book my appointed editor told me to.

That sucked. Yes there are awful covers, terrible blurbs and shudder-worthy books out there that have been produced by authors. Not many authors are also designers or artists and sometimes you have to wonder where their discerning genes have gone begging. I like to think I’m not like that. I like to think I have made it through this process with my objectivity intact. I like to think that I can see what will best suit and sell my book better than someone who has never read it.

And yet despite all this, despite the fact that I produced The Blood of Whisperers with every level of professionalism I possibly could. Despite having reviewers and readers alike inform me that there was no difference between the quality of my book and that of a major publisher, I still had doubts. I watched other debut authors rise to stratospheric heights of popularity because their traditional publishers had the engines with which to launch them, and I knew the bitter gnawing of jealousy. That could have been me. Instead here I am struggling against the damn stigma, knowing it will be a long and slow journey when all I want is for people to read what I write. Money has never factored into it for me. I would write obsessively for the rest of my life even if I never got paid for it, although obviously getting paid for it would mean I could spend MORE time writing.

But I digress.

There I was, sitting at my computer with my newly completed and edited synopsis and a fancy-ass query letter and … I think I made it pretty clear last post how I feel about my editor… well I have one more thing to thank her for. “Are you sure you need an agent?” she asks me via chat. “Give it to any publisher and they will pick it up in a heartbeat” She’d had little enthusiasm for my decision to go traditional, but we have become good friends and she would support any decision I made… but this last question made me start thinking again. Before we met, her opinion of self-publisher had been much like that of the general population, but she had read and loved my work, she had watched me fight for the right to be recognised for doing the damn thing right, for publishing professionally, and now I was giving up.

Shit.

(More bad language coming up)

And so now I have dug myself out of the depressing hole I had sunk into, so pained by the stigma that I came THIS DAMN CLOSE to giving up my dream, I can say fuck it. THIS is what I want to do. I want to write what I want to write, not what will make a big company the most money. I want to be able to choose my covers, my artists, my TEAM. I have one and I love them all and their enthusiasm for my dream is almost as great as my own. I don’t want to sell my work or my rights or my control, and I damn well don’t want anyone to stand between me and my readers. There is just me, sitting here writing, and you sitting there reading (or standing, or lying down as the case may be. Hell, maybe you read while hopping, but that’s your choice!)

I am, in the words of the great and powerful Chuck Wendig, an AUTHOR-PUBLISHER and I am proud of it. YES, that means I fall into a category with a lot of SHIT. YES, that means the power of the marketing engine will never be behind me. YES, that means I will never be able to be a member of the SFWA and therefore will never have a chance at the popularity contest fantasy awards that I would LOVE to win (so I’m flawed! Who isn’t :D) But this is the path I have chosen and if I have to fight this battle through a sea of stigma I will do it, and be happy to do it so long as there are people who want to read my books.

There will be tears. There will be other authors who will look down on me like I am the shit on their shoes. There will be days when I will wish I had given in and stopped fighting for recognition without the stamp of Big Five approval. But on those days I will grit my teeth and keep fighting because I’m worth it. I’m worth an uphill battle along shit creek.

One day my girls will be proud of me.

 

 

An Ode to my Editor

Dear Editor

I love you

 

Editing

I do, I really do. My editor is a truly amazing woman who does everything she can to ensure that when you pick up one of my books, you don’t only pick up a book as grammatically correct and lacking in spelling errors as it is humanly possible to make them, but also that they come to you finished to the highest standard of which I am capable.

Yes, she pushes me hard. She sends back comments that just say: ‘You can do better’, and she makes me (think whip in hand) write them again and again until they are right – until they really are the best I can do. I love that I am pushed to always improve. To do my best. To work hard. It’s like having my own personal trainer. “Another set, you can do it, one, two, three…”.

So now you get the picture, so why am I going on about it?

Because with the release of The Gods of Vice just around the corner, it occurs to me that my editor, and editors in general, don’t get enough credit for the work they do. When I was working on the front matter (copyright, dedication page etc.) for The Gods of Vice, my editor asked me, rather shyly for her, whether it would be ok to put her name on the copyright page credits (with the artist and the typesetter…). I immediately said yes, and wondered why it hadn’t been there on The Blood of Whisperers. It hadn’t been there, because in copying the traditional publishing industry standard, the people who work on each book are pretty much invisible. Authors name, publishing house. That’s it. Sometimes they mention the artist, the typesetter and rarely the printer, but the editor is never there. The publishing house is the editor.

Editors are important. I talk about it a lot. If you want to be the best writer you can be, then you need one. If you plan on publishing anything at all, then you need one. If you’re a writer and you don’t have one, then go get one!Go and take the single most important step toward publication (whether indie or traditional) that you can possibly take. They are easy to find, but like with everything, you can get good editors and bad editors, expensive editors, and cheap editors, and the editor that is good for me might not work well with you. I know some other great editors, but I couldn’t work as well with them as I do with mine. (Look at that ownership… she’s mine, I tell you *hiss* back off!) Don’t be satisfied with the first one you find unless they are ‘the one’ .. yes, it is as hard as finding a life partner.

Do you have an editor you couldn’t live without? If you do, appreciate them. Love them, because they are almost as important to a book as the author. I sure as hell couldn’t do this without you, Amanda 🙂

 

The Gods of Vice!

Allow me to introduce you to Malice. If you have read The Blood of Whisperers, then you have met him before, if not then I think the word ‘manipulative’ describes him pretty well. But delving deeper into the story with the release of The Gods of Vice on the horizon, it is time to find out if there is more to Malice than meets the eye.

The Gods of Vice – Out December 31st

TGOVsmall

He’s also a bit pretty, in a ‘fuck off’ kind of way…

Screw the Stigma – Part 1

If it’s self-published – it’s crap.

If it’s self-published, it was only because the author couldn’t get the attention of the big boys in publishing.

Self-publishers are desperate, annoying spammers who produce shonky products and expect us to pay them for it.

They are ruining the industry.

 

These are some of the assumptions I frequently come across, whether these words are spoken out loud, inferred or written, as in this venomous post in which the writer informs us that self-publishers are ruining literature. But while self-publishers earn his “everlasting ire”, hybrid authors have his respect. Why? Because they have passed through the holy gates of a publishing house, any publishing house, and been given the big tick of approval.

No one has ever said these things to my face, but almost daily I am treated to the assumption that what I really want is to be noticed by a big publisher, that all my dreams will come true the day a publishing company nods their approval at my efforts.

Why? Why does my worth as an author have to be determined by anyone other than my readers?

I understand the idea. I get the concept that, because a writer/book has passed under the eye of a publisher, it is more likely to be worth reading, and it is true. Just as it is true that just because a book is traditionally published, doesn’t mean it’s good or worth your time to read. The only way you can tell if something is worth you time is to read the blurb, read the first page, and decide for yourself if this is a book for you. It would be a very rare person whose first action is to look at the publishers logo on the spine and read the copyright page. (I do, I admit, because you can tell a lot about how much ‘risk’ a publisher, be they independent or traditional, has put into the book – more on this another day).

And yet although people know this is true, the stigma continues to exist. It exists because there are more self-publishers doing it wrong than right and doing it wrong loudly. It exists because the whole industry is on the defensive, and every successful self-publisher and hybrid author is cutting out the big publishers who have been such a staple of the industry for so long they don’t want to die. It exists because people allow it to exist, because they generalise, assume, and say they will only read a book vetted by a company more interested in the economic potential of a book than its merit.

Why don’t we start saying that we will only read good books, regardless of where they came from? Why don’t we start giving the self-publishers who do it right more credit for doing the job of a whole company on their own?

Why don’t we read for love?

Why don’t we write for love?

Why don’t we say screw the stigma?